Skip to main content

Faith for a New Age

The Sin of Certainty: Why God Desires Our Trust More Than Our "Correct" Beliefs

The Sin of Certainty: Why God Desires Our Trust More Than Our “Correct” Beliefs by Peter Enns

Does our faith in God require us to rally the troops around our mental fortress and not allow any uh-oh moments to creep in?  Has our correct thinking about God, the Bible, and faith pushed us away from interacting from the messiness of the God we see in the pages of Scripture?  These are just a few of the questions that Dr. Peter Enns wrestles with in his new book, The Sin of Certainty.  Not an exercise in academia, but rather some ponderings on his own faith journey and his getting in a wrestling match with his own preconditioned ideas about God and the Bible, Enns offers a way forward for the weary.  Many will be furious in these pages about his views on the Old Testament, the Bible, and the Psalms, but many will find a breath of fresh air to his sensitivity to the text and to those following after God.

Peter states early on in the book, “Sooner or later we all find ourselves faced with some serious challenge to how we think about God.  Don’t we all eventually come to a crossroads where familiar beliefs don’t work very well and we just don’t really know what to believe anymore? (9-10)” Enns points out that these “uh-oh” moments are actually seasons or moments that cause us to reframe our firmly entrenched views about truth and certainty.  “What do you really believe, Pete, when no one is telling you what to believe?  Who is God for you?  What familiar road map are you willing to leave behind, were a few of the questions he was asking (14).  Yet, for him, this process took courage, takes courage, and will take trust in God along the way.  Often, we don’t really examine our beliefs because we have inherited them from our theological and church forefathers.

Enns assaults the concept of right thoughts being the guiding principle in Christian faith.  “When trusting God is central – even just the simple act of trying to trust when we might not feel like it – we are walking a holy path,” writes Enns (21).  Peter makes the careful distinction that it is not the beliefs themselves that are the problem but our pursuit and crystallization of these beliefs that remain the issue.  It is possible to have mistaken beliefs about a person, but trusting and committing to care for that person is fundamental to a healthy and long relationship.  Although I certainly agree that Christian faith is trusting in God, a personal being (22), beliefs and their truth are also part of the framework.  Often, even our trust in someone or in God is misguided because we have a limited amount of knowledge about them, and with a more robust knowledge comes a greater opportunity to trust.

In one of the chapters on the Psalms, particularly Psalm 73, Peter notes that, “The issue for the psalmist isn’t the mere fact that the wicked prosper.  What sends him into crisis mode is that God is letting the wicked prosper when God had clearly laid down the law that the righteous will prosper and the wicked will be punished (67).”  This is unsettling for many readers, especially as the psalter opens up in Psalm 1 with the prospering of the righteous and the driving away of the wicked.  Yet, the world gets in the way of our certainty of what we think God will do, God cannot be micromanaged as if in a box.  Even the perceived idea that God isn’t following through on the rules, “the psalmist enters the sanctuary; he moves toward God, not away from God – a movement to trust when all the evidence is against it (70).”  Herein lies the beauty of this book, for all the trouble Enns stirs up, he is not raising the banner of jolting from the pews, but is calling us to move toward God, trusting him even when reality is downright messed up. 

There is plenty to disagree with in the book, much that evangelicals will sneer at, but at the heart of it, this book is not about pushing people away from the floorboards of cherished beliefs, but asking them to consider how doubt, uneasiness, and certainty might be seen in light of the messiness of reality and the Bible. 

Thanks to HarperOne for the copy of this book in exchange for an honest review.


Popular posts from this blog

My Favorite Color is Blue. Sometimes.: A Journey Through Loss with Art and Color

My Favorite Color is Blue. Sometimes by Roger Hutchison

Taking a look at the digital copy of this book allowed me to look at the striking art inside the book, and its connection to the words of the page that were focusing on loss.  Looking at the physical copy of the book even brings to life more the staggering similarity that the words and pain have together on the page.  The focus here is how certain colors express the sentiments of those who have lost a loved one.  I did not think that I would relate too well to this book until two days ago, as we lost our little boy, who was only 17 weeks old.  The pain is palpable and yet the pages of this book give me good reason to think of my son with a sense of pride and hope.

Roger writes, "You are a shooting star. Your light trails across the heavens.  I blinked and you were gone."  We were full of anticipation at the first and second ultrasounds, and there was the picture of our little boy Jackson, his developing face and little …

The Catholic Novelist in the Protestant South

Mystery and Manners: Occasional Prose by Flannery O’Connor
A profound simplicity of thought, a penetrating vision of what it means to be human, Flannery O’Connor embodies the spirit of bringing fictional stories to life.  Others might call her fiction ‘grotesque’ in a rather unflattering manner, but O’Connor was not content to live up to their criticisms.  In this short book of collected essay and lectures, Mystery and Manners, editors and friends of Flannery, Robert and Sally Fitzgerald have given us a glimpse into the vision of her faith, style and life as a writer.   A lifelong Catholic, Flannery O’Connor sought to wed together the moral integrity of her faith with the character of her craft in writing.  Specifically, fiction for her was an exploration in imitation.
In a rather illuminating statement in the chapter entitled, “A Catholic Novelist in the Protestant South, “ O’Connor writes,
“I am specifically concerned with fiction because that is what I write.  There is a certain em…